O.T

Përshkrimi

Markus Scherer´s four-minute film O.T. begins as though it were a landscape painting from the nineteenth century. A snow-peaked mountain top rises majestically. The camera’s motionless gaze invites careful observation: one recognizes the steep rock flanks on which no snow is lying, perceives the sculptural protuberances of snow drifts, the slightly quilted surfaces of the white fields.