The poetry in these songs is soft, pure and inviting either in companionship, or in dance, or in love.
Even though going through the finish line of the festival there is a bittersweet feeling, we do recognize the magic these days have brought into our lives…
DokuFest has curated a selection of 11 non-fiction films that vividly illustrate the social turmoil that has unfolded over the past 50 years.
When a director and editor are working together in tandem and harmony, magic happens.
Elaborating Alternative Co-Existing Spaces for Image and Sound
Not every dark tunnel has a light of hope, but with these films, we feel some.
When you get over 100 kids together in room, you will have all the energy you need, and maybe a little more.
There are many themes revealed in the documentary such as the trauma processing of the survivors, the power of the media, the reconnections and the ways we do not want people to not disappoint us in peace.
In observational filmmaking, the ambiguity of truth is significant because art imitates life.
DokuFest’s mission to empower young, new voices in Kosovo’s filmmaking landscape has always been a core element both inside and outside the festival.
These archives will be useful in the future…
While seclusion can be good and needful at times, should a life be lived in seclusion?
IPKO aims to be a positive force in the lives of every community member by supporting cultural and educational activities.
DokuNights keeps on bringing new ways of musical expression…
Exhibition, Underexposure, Overexposure
The ways to make visible a short film are not traditional and often there are certain paths that make them successful…
For DokuFest 2024, there are over 110 volunteers, and most are between the ages of 15 to 18, representing Gen Alpha.
The themes and subject of this movie are very deep, very thought provoking.
Each spot on the earth offers its own benefits, but there is no place like home
Leart’s sound is powerful, cunning, and bright.
This film screening brings an opportunity to elevate cultural ties between Kosovo and Taiwan.
A new soundtrack for Besim Sahatçiu’s 1975 documentary.
ARchipelago brings this combination of historical and personal materials to build new forms between which we can easily access information
The Triangle Program is a collaboration between three festivals: DokuFest, BIEFF and Vienna Shorts.
The director has harmonized the colors of the film with the fatal reality of working conditions in Kosovo.
The filmmaker has been inspired by the history of his country…
It was a truly wonderful night…
We follow the stories of Xhevahire, Shpresim, Gëzim and Besnik in the past, present and future…
This Dokutalk was dedicated to the ongoing challenges that film festivals face…
DokuFest’s, New Order edition, focuses not only on one but on two countries where humanitarian crises are more than just media events.
The four films share the same penchant for coming alive in front of the camera through the act of looking.
Perhaps the desire to live in your home is greater than the isolation outside.
This short film manages to ironize today’s confused human relations…
Traditional Albanian music is outlined in Shporta’s new album.
The exhibition comes as a result of the collaboration between Kosovar and Serbian researchers.
The audience must be prepared to sit and see authentic performances, personal and intimate.
This film is a beautiful, heartfelt creation and homage to film itself, and the power of storytelling.
Another part of the inner life as we know it slowly takes on a different light while being unveiled on the cinema screen.
The question of remembering and forgetting is crucial nowadays, especially with the current oversaturated visual landscape that further suffocates the possibility of building images of the future.
Both Poljak’s and Ilić’s documentaries employ personal and subjective approaches to tell their stories.
The film The Quality of Image by director Sezer Salihu is an experiment with the use of Google Maps images of roads in Greece.
The film is a reconstruction of family memories extracted from the cassettes…
They played their own unique eclectic style of music to an energetic crowd of listeners, who soon became fans.
Four films, one trip around the world.
“Ode to Celluloid: Films about Films” is one of DokuFest’s special programs, which baptizes the opening of the Lunar Cinema on Saturday evening.
At the Door of the House, Who Will Come Knocking by Maja Novaković, is a lengthy and suspenseful narration on solitude and self-discovery.
In the aftermath of realizing what is right and wrong, there lies a fine line of considering assumptions as perceived and felt truths.
The conversation that took place tackled the particularities of each filmmaker’s films in the face of the ecology crisis, the importance of communities and collaboration.
DokuFest is a success story, a testament to the power of a dream, and what a small group of people can accomplish, if they only keep going and do not quit.
From the moment Aïsha Devi took the stage, it was clear that this would be a special performance.
The opening ceremony brought together cinephiles and audiences to witness a reflection and a strong statement on the condition of humanity.
This year’s theme is New Order: a reflection and reaction to the complex fabric of global events affecting life, the future, and our responses to these adversities.
From the resistance of Prizren to keep Lumbardhi a cinema, to creating new spaces for the younger generation and collaborations with many prestigious festivals from all around the world, we grasp the importance of DokuFest as a bridge to communicate and connect.
A last goodbye to an unforgettable edition of DokuFest
The 22nd edition of DokuFest was closed with the awarding ceremony for the best films. On the final night, the importance of this festival was highlighted once again. Therefore, from today, the anticipation for the next edition begins.
The film lays bare the working conditions within Lisbon’s Bairro Alto, where the demolition of a building that once housed an aged printing workshop symbolizes the giving way of tradition to the erection of opulent apartments.
This Friday was another night in which Andrra Stage was filled with the beautiful faces of those who joined the party with HERRENSAUNA SHOWCASE +010010*.
A visual voyage exploring the creative force
Producer Steven Lake in a master class shared with the attendees the pleasures and challenges of making documentary films in a world that thinks commercially.
All those present shared among themselves and with the public their experiences in building a film festival.
The director, Jude Chehab takes a camera and starts asking questions to her grandmother and her mother…
Screenings of four films from the National Competition in DokuFest on Wednesday and Friday have taken the audience on a journey to explore several issues.
While the audience awaited the screenings at Kino Lumi, one could feel the excitement of something new coming and the two films reflected that there are compelling narratives that the audience deserves to listen to.
We go once again to Andrra Stage while bringing together generations to share in an unforgettable experience, celebrating an unparalleled essence of hip-hop culture.
Mstyslav Chernov’s film follows the chronological course of the atrocities that occur in the 20 days of the war, as Russian forces want to take the city.
This screening in Kino Lumi showcased two films: Blood in the Blackbirds’ Field. A story of war, justice, and resilience; and Women of Liberty.
The challenges faced by the industry and filmmakers are not small at all, so much so that they sometimes turn into existential questions, about whether or not to pursue a career in short filmmaking.
The film “Three Sparks” is in the Balkan Dox category. Director Naomi Uman connects a personal story to an old legend with the role of women in society in rural Albania.
“A Golden Life” compares the world of cinematography with the painful reality of young people, who enter a difficult path with nothing to lose.
Many films in the DokuFest’s diverse programme bring to light the very systems in which we are held, and in which we all become both victim and perpetrator.
We follow the protagonists of this documentary: Marie-Lou, Florian, Jerome, and Vincent who work as subcontractors with the French industry of nuclear power.
Iván Simonovis was unjustly sentenced to 30 years in prison for the death of 19 people, killed in demonstrations while 27 others were injured.
We relish our nightly visits to the Andrra Stage because it offers something for everyone…
It is very difficult, almost impossible, to write in a few paragraphs the emotional, human, and inhuman weight of the 56 minutes that “Fragments of Humanity” contains.
Eyes on Kamza and Tirana: on memory, the center, and periphery
An extraordinary panel of women who, not only in their work but also in everyday life, share the value of caring for each other.
‘Total Trust,’ is a documentary that investigates the effects of mass surveillance on Chinese society today.
The film tells an intimate story of three women: a grandmother, a mother, and a daughter trying to navigate and understand the family dynamics in the aftermath of violence and obedience to traditions.
The film reveals the dark reality of systematic patriarchal violence in Turkey.
Watching Stuntwomen made me consider sides to film production I have never even thought about before.
JOSH CAFFE, JOHNY AUX, and GEMZA performances electrified the DokuNights stage.
This initiative is the result of a fruitful collaboration between DokuFest and the OSCE Mission in Kosovo.
There are many ways to tell a story, but nothing beats having a generation of talented directors on stage ready to start their careers.
Tuesday night at DokuPlato was reserved for the category of National films.
In this special screening, Besim Sahatciu’s ant(hrop)ological documentary was revisited with a musical score composed and performed live by the Lumbardhi Experimental Ensemble, led by Ilir Bajri.
This Tuesday’s DokuTalk was dedicated to a wide-ranging discussion about filmmaker duos.
The outstanding Armenian-French filmmaker and photographer, Valérie Massadian, held a Master Class on Tuesday afternoon at the KinoKlubi.
“Breaking Social” is a documentary exposing the facts of corruption.
“Queendom” is nothing more, nothing less than a cry, silent and strong to accept yourself, the reality, the individuality of the other even if he is completely different from the one the world is used to serve.
A selection of films in the category of International Shorts explores just that.
DokuKids is dedicated to children of different age groups, where through activities they learn to advance their knowledge, especially in the creation of animations.
There is nothing that beats a night full of diverse performances and welcomes everyone to explore new sounds and ways to enjoy the festival at its best.
How far can the creative process go and how much impact does it have on the surrounding environment?
Can someone be punished just for a password?
At the end of the screening of Seven Winters in Tehran, the audience was left silent, teary-eyed, and paralyzed by the power of the film.
The Balkan Dox film category is a mirror, a river of lives and memories: we just need to take a step in and feel the water.
Faced with the impossibility of closing a fake account, the filmmaker Armel Hostiou decides to go looking for his double and makes a film.
Ryoichi Kurokawa//Willikens and Ivkovic in DokuNights
DokuTalks on Sunday afternoon managed to bring to the audience another perspective, that of the three filmmakers who in their films had to document themselves
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