The film speaks of 1969 student demonstrations in Belgrade and of the critical quality, enthusiasm and discipline of this form of protest. It was the most powerful public criticism of ‘’red bourgeoisie’’ – members of communist apparatus, who suppressed creativity and affirmation of new generations throughout the Eastern Block.
Born in 1942, based in Novi Sad, Serbia, his socially engaged films and documentaries in former Yugoslavia earned him critical accolades in the late 60s (“The Unemployed” 1968, Best Documentary at the Oberhausen festival, 1968; “Early Works”1969, Best Film at Berlin Film Festival), but also censorship in the 70s for his unflinching criticism of the government apparatus.
Low budget filmmaking and challenging political themes mark Žilnik’s prolific career that includes over 50 feature and documentary films and shorts. His power to observe and unleash compelling narratives out of the lives of ordinary people is the common thread throughout his documentary and docudrama work. More recently, his focus has shifted beyond the divided Balkans to question its relationship with the tightening controls of European borders, delving into the heart of issues of refugees and migrants.
Želimir Žilnik
Neoplanta film
Novi Sad
Dusan Ninkov
Miodrag Petrović
Bogdan Tirnanic
Branko Vucicevic
Želimir Žilnik
Njegoseva 16/17,
21000 Novi Sad, Serbia
[email protected]
Festivali Ndërkombëtar i
Filmit Dokumentar dhe të Shkurtë
Rruga Marin Barleti
20000 Prizren, Kosovë
+383 29 233 718
[email protected]
DokuFest ka zero tolerancë ndaj korrupsionit dhe ryshfetit. Brengat për korrupsion, keqpërdorim dhe dyshime, ju lutemi t’i adresoni në [email protected]