One night, Zilnik picks up a group of homeless men from the streets of Novi Sad and takes them home. While they enjoy themselves in his home, the film maker tries to "solve the problem of the homeless" carrying along a film camera as a witness. He speaks to social workers, ordinary people. He even addresses policemen. They all close their eyes in front of the "problem".
Born in 1942, based in Novi Sad, Serbia, his socially engaged films and documentaries in former Yugoslavia earned him critical accolades in the late 60s (“The Unemployed” 1968, Best Documentary at the Oberhausen festival, 1968; “Early Works”1969, Best Film at Berlin Film Festival), but also censorship in the 70s for his unflinching criticism of the government apparatus.
Low budget filmmaking and challenging political themes mark Žilnik’s prolific career that includes over 50 feature and documentary films and shorts. His power to observe and unleash compelling narratives out of the lives of ordinary people is the common thread throughout his documentary and docudrama work. More recently, his focus has shifted beyond the divided Balkans to question its relationship with the tightening controls of European borders, delving into the heart of issues of refugees and migrants.
Želimir Žilnik
Neoplanta film
Novi Sad
Karpo Acimovic Godina
Kaca Stefanovic
Dusan Ninkov
Želimir Žilnik
Njegoseva 16/17,
21000 Novi Sad, Serbia
[email protected]
Festivali Ndërkombëtar i
Filmit Dokumentar dhe të Shkurtë
Rruga Marin Barleti
20000 Prizren, Kosovë
+383 29 233 718
[email protected]
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