Explorations in the evolving role of documentaries in shaping how we understand the world.
Immersive sessions led by acclaimed filmmakers offering deep insights into the craft.
DokuFest and the Scottish Documentary Institute (SDI) partnership brings together emerging filmmakers from opposite ends of Europe for a collaborative residency grounded in storytelling, cultural exchange, and political consciousness.
A space where resistance, collaboration, and emerging voices take center stage.
Sunday, August 3
17:00
Shkolla e Muzikës 'Lorenc Antoni'
Across the world, public spaces are shrinking: commercialized, policed, or politically controlled. Yet they remain vital to strengthen civil society. This DokuTalk explores how communities in Kosova and in the region reclaim public space to resist oppression, preserve memory, and create new futures
Moderated by filmmaker and DokuTalks co-curator Dea Gjinovci, the conversation brings together important voices and practitioners to discussw public space as both a site of memory and a form of cultural resistance.
Veton Nurkollari from DokuFest will reflect on how the festival transformed Prizren itself into a public stage, showing how film became a civic tool to revive cultural life and reclaim common space.
Valentina Bonizzi will share how her participatory art projects turn overlooked spaces into forums of dialogue and belonging.
Rozafa Maliqi will draw on her experiences with public spaces in Prishtina to look at how engaging in challenging conversations and embracing accountability practices in these spaces can lead to change that is driven by the community itself.
Luka Knežević Strika will speak about building collective infrastructures like Magacin in Belgrade, where artists create and collaborate outside market logic.
Venue: Shkolla e Muzikës 'Lorenc Antoni'
Date: Sunday, 3 August
Time: 17:00 hrs
This conversation, organized in collaboration with Pro Peace and YIHR Kosovo, explores how contemporary reflections about women’s solidarity and acts of resistance can shape alternative narratives and pluralize collective memory.
An unapologetic deep dive into why short films don’t sell, and why that might be your greatest freedom.
Jing Haase in conversation with the heads of Film Centres of Kosovo, North Macedonia, Albania and Montenegro.
Dealing With the Past
Exploring the ethics of watching and filming in a time when apathy often greets atrocity.
Film as resistance: against silence, against apathy, against forgetting.
Examining the power of hybrid practices to create complex realities that reflect our contemporary experiences and Dealing with the Past