Black Code/Code Noir

Synopsis

Black Code/Code Noir unites temporally and geographically disparate elements into a critical reflection on two recent events: the murder of Michael Brown and that of Kajieme Powell by American police officers in 2014. Archaeologically, the film argues that behind this current situation is a sedimented history of slavery, preserved by the Black Code laws of the colonies in the early Americas. These codes have transformed into the algorithms that configure police Big Data and the necropolitical control of African-Americans today. Through a historical détournement, the film suggests the Haitian Revolution as the first instance of a hacking of the Black Code and, perhaps, a symbol for future hope.

Directors' Biography

Louis Henderson is a filmmaker and writer who experiments with different ways of working with people to address and question our current global condition defined by racial capitalism and the ever-present histories of the European colonial project. Henderson's films and installations are shown regularly in various international film festivals, art museums and biennials. He lives and works in Paris and Berlin.