The film has three starting points: a little narrative re-edited from a Hollywood B-film (“The Rage”, 1998), an attempt to use the colour photocopy as a cinematic aesthetic, and an exploration of the frame line as a dynamic visual element.
Born in 1964, he makes experimental films and installations based on the moving image. One of the main characteristics of his work is an examination of the cinematic apparatus itself and the boundaries within it. His works have been screened in many national and international festivals, and venues over the years. Collaborators include filmmakers Philip Hoffman and Bruce Baillie, as well as composer Petri Kuljuntausta.
Sami van Ingen
Sami van Ingen
Sami van Ingen
Sami van Ingen
Sami van Ingen
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