THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.
Ra’anan Alexandrowicz born in Jerusalem, Israel in 1969. He completed his studies at Jerusalem’s Sam Spiegel Film and Television School in 1996.
Berlinale, Germany, 2020
CPH:DOX Festival, Denmark, 2020
True/False Festival, United States, 2020
DocAviv, Israel, Israel, 2019
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