Branco lives on a high windy hill in Valparaíso. He connects childhood and the adult world into which he is projected in spite of himself, but also the dreams and nightmares of a people with a painful history. The mist, haunted by memories of Pinochet's dictatorship, blends these worlds into a poem in which changing winds blow, sometimes fanning the revolutionary hopes of youth, sometimes preventing it from escaping from destinies that have already been drawn.
Of French-Chilean origin, Anaïs-Tohé Commaret was born in Vitry. A back and forth between fiction and documentary defines her work, which she put to good use during her studies at the Beaux-arts de Paris in Clément Cogitore's studio, later she studies at Le Fresnoy. She met Nicolas Jardin, a young cinematographer, and together they created striking images.
Anaïs-Tohe Commaret
Le Fresnoy
Nicolas Jardin
Anaïs-Tohe Commaret
Leon Favier
https://panorama23.lefresnoy.net/artwork/1854/ce-qui-nous-pousse/anais-tohe-commaret
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