Can a heart drown? Can seas drown? How? What’s love got to do with this drowning? What’s love got to do with the sea? And why does searching for the ordinary in the super and finding the one in eights feel a lot like drowning?
Be aware: while you’re sitting in the cinema and watching the KHAVN Programme, his next film will be edited, a new poem will be written, a new song composed and another piano played. Diving into his poetry (“Ultraviolins”), his work as a musician and composer is all just logical and straight-lined: Telling and showing his stories on a certain level, where he does not need pictures anymore. In his complete work, Khavn is still fully aware of the history of his country and introduces us to his world, giving us a wild mixture, for years now, of horror, poetry, Philippine history, love, punk, emptiness and voluminous nostalgia. Khavn’s very own argument seems assignable to the generation of the now 37 years old director: “Film is dead, please omit flowers”. And even if there is still film it is all about rhythm, so “Let there be music”.
Khavn De La Cruz
Khavn De La Cruz
Khavn De La Cruz
Lawrence S. Ang
Filmless Film
Khavn De La Cruz, Philippines
[email protected]
International Documentary and
Short Film Festival
Marin Barleti Street
20000 Prizren, Kosova
+383 29 233 718
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