03 – 11 August 2018
Edition XVII

03 – 11 August 2018
Edition XVII

:Deck

Screening Schedule:

:Deck

UK, 1971, 13 min

During a voyage by boat to Finland, the camera records three minutes of black and white 8mm of a woman sitting on a bridge. The preoccupation of the film is with the base and with the transformation of this material, which was first refilmed on a screen where it was projected by multiple projectors at different speeds and then secondly amplified with colour filters, using positive and negative elements and superimposition on the London Co-op’s optical printer.

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Gill Eatherley was born in 1950 and studied at Winchester School of Art (1969-1970), Saint Martins School of Art (1970-1973) and the Royal College of Art (1974). She began making films in 1971 as a member of the London Filmmaker's Co-operative. Her expanded cinema performances and film installations have been widely exhibited both in Britain and internationally. Screenings and exhibitions include The Institute for Contemporary Arts in London, The Walker Art Gallery in Liverpool as part of Filmaktion (1973), Amsterdam, Cologne and most recently as part of 'Shoot Shoot Shoot', a major survey of British Avant-Garde Film from 1966-76.
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Gill Eatherley

:More from Materials, Structures, Forms: Experimental Films Made by Women

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Notes from the Light Music

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Frames

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Notes

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Lost for Words

Anna Thew UK 1980, color, 25 min

Red Shift

Gunvor Nelson Sweden 1984, color, 47 min

The Ten Commandments of Love

Cordelia Swann UK 1979, color, 30 min

Rohfilm

Birgit Hein, Wilhelm Hein Germany 1968, bw, 20 min

Structural Studies

Birgit Helm, Wilhelm Hein Germany 1974, color&bw, 40 min

Chanoyu

Sanja Ivekovic, Dalibor Martinis Yugoslavia 1983, color, 11 min